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Welcome to Musings – The Loom Room Blog

23 June, 2016

Art that inspires – Christina Hesford article with textileartist.org

This blog is a sharing of an inspirational article by Christina Hesford in a recent newsletter from www.textileartist.org

My last post was singing the praises of this site and it continues to inform and connect textile practitioners and enthusiasts from far and wide. My reason for re-posting is that Christina has a similar selection of people to me, and expresses her reasons behind their selection clearly and passionately.

This particular article has inspired me to create my own article of 5 outstanding artists that inspire me, so watch out for that post in the near future….
In the meantime, enjoy hers… http://www.textileartist.org/christina-hesford-art-that-inspires/

 

20 May, 2012

Weaves That Shape Themselves, Pairings and Textile Matters

What a bumper few days!  A book launch with an accompanying exhibition, the Stroud International Textile Festival exhibition, and a textiles seminar in three days!  Food for the eyes, the brain and the soul!

Taken in the order I experienced them, firstly a book launch at Handweavers Studio in London for Ann Richards’ book “Weaves That Shape Themselves”.  Detailing many of Ann’s experiments and discoveries over a twenty-year period, this is a great addition to a weaver’s library, sharing hints, tips, and lots of very useful knowledge on high twist yarns, weave structures that pleat and shape and finishing processes.  She also includes a number of other weavers who are exploring texture through structure and interesting yarns and processes.  (Hand up here to a vested interest – there is one image of my work in the book – thank you, Ann!)

The launch was attended by a number of weavers whose work is in the accompanying exhibition currently at Handweavers Studio, including Lotte Dalgaard (Denmark), Berthe Forchhammer (Denmark), Fiona Crestani (Austria), Lucia Schwalenberg (Germany), Jennie Parry (UK), Bobbie Kociejowski (UK), Wendy Morris (UK) and me.  Other pieces in the exhibition are from weavers such as Deidre Wood (UK), Geraldine St Aubyn Hubbard (UK), Emma Sewell (UK), Sheila Reimann (NZ), Liz Williamson (Australia), Anna Champeney (Spain), Andreas Moller (Germany), Dorte Behn (Germany), Gusti Austin-Lina (Netherlands), Teresa Kennard (USA), Kasuhiro Ueno (Japan), Noriko Matsumoto (Japan), Junichi Arai (Japan), and Reiko Sudo (Japan).   A wonderful treat!  The exhibition is on for another couple of weeks, so I urge you to go and visit very soon!  And, of course, you are surrounded by the very yarns that are used to create the myriad effects on show!  And you can buy the books….

Secondly, the Stroud International Textile Festival has been running for a number of years.  This year, due to reduced funding, there is just one main exhibition in the beautiful setting of the Museum in the Park in Stroud.  Instigated by Alice Kettle, the exhibition is ‘Select Pairings II‘, the collaboration of different artists, usually in pairs, with at least one of the partners a textile artist.  The artists featured are Alice Kettle who paired with David Gates and Jane Webb; Ismini Samanidou who paired with Sharon Blakey; Kate Egan who paired with Vanessa Cutler; Dawn Mason working with Dr Nigel Hurlstone, Shelly Goldsmith working with Annie Shaw, Jane McKeating collaborating with Jilly Morris, and Janet Haigh with Rachel Kelly.  There were also three individuals whose work was on show – Clair Curneen, Rhian Solomon, and Fiona Haines.

The pieces were varied and interesting, utilising the courtyard outside the museum, the corridor leading to the main exhibition space and the main gallery. This exhibition is on until 27th May, so you still have one week to see it!  I shall be writing a full review for the Journal of Weavers, Spinners & Dyers, and The Weave Shed (where you’ll also find information on Ann’s book) together with photos….

Finally, how to sum up a full day’s inspiration and input from four immensely talented and inspiring weavers from the UK, Japan, and Denmark?  Organised by Tim Parry-Williams with Bath Spa University, and the first in a series (so Tim promised!) of seminars, Textile Matters was held in the incredible surroundings of Corsham Court, the home of the Textile Research Dept of Bath Spa University.  Ann Richards started the day with explanations of some of the concepts behind her twenty years of research and exploration into weaves that shape themselves.  Her clarity and scientifically disciplined approach to her research was inspiring and salutory at the same time!

Ann was followed by Jun Tomita, a Japanese weaver who specialises in ikat art for interiors.  Jun is inspired by walls that are showing the ravages of time and decay – in this he reminded me of fellow weaver Ismini Samanidou – but their approach is so totally different to each other.  Jun uses the most simple of weaves – plain weave – to create his mood pieces through the kasuri technique of ikat.  Spanning his complete career to date, we were fascinated by his development of ideas and the use of warp ikat to convey so many facets of mood, depth and spirit.  It was also fantastic to have a glimpse into his workshop and his method of working.

After lunch, and a chance to buy books from Chrome Yellow (always a wonderful excuse to indulge in some gorgeous books!) and yarns from Handweavers’ Studio, we were ushered back into the colourful world of Ptolemy Mann.  I probably don’t need to say much about Ptolemy.  Her dip-dyed ikats in myriad colours are well known in the design and interiors worlds, and we had plenty of eye-candy to enjoy.  However, Ptolemy also talked about the need for working in different fields (although all stemming from her ikat and colour work), including working with industry and architects, licensing products and doing large-scale public art commissions in the public health sector.  A whistle-stop tour of the possibilities that have led on from her weaving, Ptolemy injected a dose of day-to-day realism in our current economic climate – a way of working that is hard work, and challenging, but ultimately rewarding in many different ways.

Lotte Dalgaard was the final speaker.  Lotte is a weaver of collapse weave fabrics which are mostly for accessories and fashion.  Working in collaboration with a fashion designer, Lotte’s fabrics are developed to become garments that can be shaped in many different ways to create different silhouettes.  A founder member of the Danish Yarn Purchasing Association, GIF, Lotte has helped to introduce many different kinds of unusual yarns to the handweavers market, including many of the high-twisted yarns that she researches and uses in her work.  She published a book called Magic Materials in Danish a few years ago, which Ann Richards translated for English buyers of the book.  This book has inspired a new wave of weavers to work with high twist yarns and will, I suspect, continue to prompt new weavers into trying out active yarns.  One of the highlights of the day was at the end of Lotte’s presentation when she gave a demonstration of how the fabrics ‘do their magic’ when exposed to hot water.  She showed us the woven ‘grey’ state, or loom-state, fabric and then submerged it in hot water where everyone could see it crinkle into its folds.  A magic end to a magic day!

Despite the short-notice of this seminar, the delegates, most of whom were weavers, had a memorable day, energised by their conversations with each other, meeting up with old friends and making new connections, enjoying the incredible surroundings and indulging in some retail therapy, as well as absorbing a lot of intricate and fascinating information.  Even the peacocks were impressed – one showing off his formidable tail feathers – a great photo opportunity for those of us present!!

As I mentioned earlier in the blog, I will be writing reviews for the Weave Shed, and also one on ‘Pairings’ for the Journal of Weavers, Spinners and Dyers which will include photos (after permissions have been sought).  So keep your eyes out for these…..

9 May, 2011

Wonderful Weaving Worlds

A seminar day, organised by Laura Thomas, introduced by Lizzi Walton under the auspices of the Stroud International Textiles Festival is one not to be missed and I’m so glad I was there!  Laura had gathered together 5 disparate weavers, each with a fascinating story of their creative paths and output.  To start off with, Laura talked about her work, especially the acrylic resin work she is probably best known for.  Maybe not so well known, but very appropriate, is the double cloth ‘blanket’ work that she designs for Melin Tregwynt, possibly the best known weaving mill in Wales, and the work that she is doing as Artist in Residence at the Ruthin Craft Centre.  Laura is an ambassador not only for weaving, but also for Wales!

Her first invited speaker was Asha Peta Thompson.  Asha is my sort of woman – bubbly, whacky, with a lovely depracating sense of humour, and obvious enjoyment, understanding and imagination in her work.  What started out as a masters project developing multi-sensorial pieces for special educational needs in line with the National Curriculum, has now grown in many diverse ways, and Asha is now co-founder of Intelligent Textiles, a company that has developed soft switching for electronics and data management which now works closely with several military departments both in the UK and beyond, looking to reduce the burden of weight and ease of equipment usage for on-the-ground soldiers in the field of battle.  As the mother of a young man just about to go into the forces, I felt such a range of emotions seeing Asha talk about and demonstrate the amazing technology that they have managed to integrate into the very fabric of the soldier’s kit.  I just hope the British military hurries up and incorporates this into the uniforms of our soldiers quickly.  It is cheaper and much more efficient than much of the heavy kit and wiring the soldiers have to deal with currently (pun intended!)

Laura (centre) and Asha (right)

Laura (centre) and Asha (right)

After Asha’s presentation, we were all incredibly buzzed and lunch was a time to marvel and meet up with new people, and catch up with old friends.  Weavers from all spectrums were there – industrial designers, university lecturers and students, practising weavers, and enthusiasts alike – all absorbing and being inspired by the presentations.

After lunch, Kirsty McDougal, the weaving half of Dashing Tweeds, presented the story of Dashing Tweeds, the company that gives a contemporary twist to bespoke men’s tweeds with amazing colourways, unusual yanrs (including reflective) and a sense of fun.  Kirsty originally came from the Outer Hebrides and tried to move away from her tweed heritage after university (Duncan of Jordanstone), working as a jacquard designer for the likes of Louis Vuitton, Biba, and Jaegar, but it seems she was destined to come back to it in order to revamp and revolutionize it!  Kirsty has always been interested in science and maths, and is working on a project called Seismic Shifts – structural health monitoring systems for earthquake zones – in collaboration with architecture and Nanoforce.  I would have loved to have heard more about that, but she can’t say much at the moment…..  Ah – tantalising!

Kirsty was then followed by Melissa French – one of the Puff & Flock collective created by the members of Central St Martin’s Textiles Future MA programme.  Melissa talked about her MA project – partial upholstering of outdoor furniture, using cotton warps with silver, iron and copper wefts – which was intriguing, and then about the creation and development of Puff & Flock.

After a short break, the final speaker was Ptolemy Mann.  Ptolemy is well known for her ikat-woven pieces with their jewel colour fields, and she has recently been working on a series of Monoliths.  But she was there, hotfoot from Collect, to talk about the colour consultancy work she does with architects and how that is closely related to her weaving.  I found her whole approach fascinating and logical, and it gives me hope that our public buildings can be transformed by imaginative use of colour right from the start, with integrated thinking between the teams responsible for external cladding and internal decoration.  It was clear from the very professional appearance of all the design work that Ptolemy is an expert in putting her ideas across and she speaks the language of the architects, which is the only way that such strides are made in public works.

After the seminars, there was just time to squeeze in two open studio visits to Tim Parry-Williams and Matthew Harris, both of whom live in Stroud and had kept their studios open late for us to get the chance to see them.

Tim at loom

Tim at loom

Matthew's studio

Matthew's studio

A really stimulating day…..