We use cookies to ensure you get the best experience on our website. Find out more   Close

Add to Favourites    
Share

Welcome to Musings – The Loom Room Blog

17 February, 2013

The Shard, the Gherkin – it’s got to be a London trip!

A beautiful February day, a cheap train ticket to London, 4 possible exhibitions we wanted to visit – an exciting prospect!!  But beware!  If you go to London at a weekend (let alone a school holiday weekend!), check with London Transport before you make your plans!  Rather densely, I didn’t, and the Circle, District, and part of the Metropolitan (the part we wanted) underground lines were closed for engineering works!!  Very frustrating…. Mind you, we walked a lot, so perhaps it was good for us after all!  However, instead of 4 exhibitions (a bit ambitious), we only actually saw 1!!

We headed off to the Barbican to see if we could get into the Rain exhibition – its full title Random International: Rain Room  but the queue was already 3 1/2 hours and we did want to see other things, so we decided not to queue.  Their blurb says they invite you to experience what it’s like to control the rain, experimenting with human behaviour and interactive processes.  No wonder it’s so popular – we all want to be able to control the weather from time to time!

After a long walk to 3 closed tube stations, we finally made it onto the Docklands Light Railway – a really pleasant way to get to Greenwich and the National Maritime Museum!  A really popular exhibition of Ansel Adams’ black and white photography is on show there until 28th April.  There was queueing for tickets and then to get in here too!  Great to see so many people wanting to look at art exhibitions!  I’m a total fan of Adams’ work, and these focus mostly on his love affair with water in all its various guises – rapids, waterfalls, mist, spray, crashing waves, seas.  Gorgeous!  I would have liked to have had a bit more space and fewer people to be able to appreciate the works both up close and further away, but the catalogue at £20 is a must!  One of my favourite pieces – one of the ice ones – hasn’t translated well into the book, but most have.  One of the interesting curatorial decisions was that there was not a set or obvious path through the exhibition.  Divided into different areas with works grouped but easily interchangeable, it meant everyone was milling about and experiencing the work in different ways.  Also, although this may not have been intended, the low white noise of the air-conditioning was beguiling by the wave images – you could almost sense the crash of the waves about to happen and the slow sucking noise of the retreating water was just about there below the level of the aircon.  Quite atmospheric in a surprising and unexpected way!

If you haven’t been to Greenwich and the Royal Maritime area, you’ve missed a treat.  I’m ashamed to say I haven’t before visited Greenwich, but I shall certainly go again.  Those images we saw of the equestrian sports at the Olympics wetted my appetite, and the setting is just stunning.  The grandeur of the buildings, and the space in which they are located, are beautiful.  The buzz around Greenwich village is tangible and it has a busy village feel to it like the best of the small coastal villages at the height of summer that we do so well in Britain (that is if the weather is good!!).

Because we had been so delayed by the transport problems, we decided to take the Thames Clipper down to the South Bank and what a lovely way to see London!  Firstly the Docklands Light Railway had taken us through the dock areas above ground and threading through the iconic buildings and warehouses of the Docklands, and then the Clipper took us quite swiftly around the twists and turns of the Thames.  It was fascinating to experience the different perspectives this trip gave us of a city we know and love.  I knew the Thames was a writhing beast, but hadn’t realised just how much as the Shard was so close, then so far, then so close again!

The added bonus of the delays was that we got to see London dressing itself up in lights as dusk fell – and what a beautiful sight that is!  Iconic buildings changing their character from day to night – putting the glad rags on and dazzling with illumination!  We were hoping to get to Tate Britain but that didn’t happen.  Instead we stopped off at the brutish beauty of Tate Modern and had a quick scoot round Gallery 2 before heading back on a tube that was running to our crammed train back to the Midlands!

The other exhibition we were hoping to see, at the Hayward Gallery in the South Bank complex, had sold out of tickets but this we are intending to return to.  It’s the Light exhibition.  Happily it has a few weeks to run yet, so maybe we will get to see this one!

In the meantime, here are a few images from London, architecturally. (Sorry – WordPress is doing weird things with my photos!!)

St Pauls as dusk taken without flash from a floating dock on the Thames (with added shake for artistic reasons!!!!)

Is it just me, or does the Shard have a strong feel of Lord of the Rings about it??

Is this like an eyelid, or am I just going bonkers from all this walking?????

Verticals, horizontals, diagonals – very weaverly!! And dramatic…

A glimpse of the Gherkin – looking a little shrunken these days beside the new behemoths, don’t you think?

3 February, 2013

Results and exhibitions

Filed under: Art,Education,Nature,Philosophy,Publications,Travel,Weaving — Tags: , , , , , — admin @ 6:40 pm

It’s been a while since my last post, but life has been busy…

After a delayed Christmas, the New Year began with assessments for my masters degree.  Happily, I did ok and got a merit and a distinction in the second stage.  Now the bar has been set and I am going to do my damnedest to get better marks in the final stage!  A lot of effort in reading, assimilating, writing, and weaving to come, I think.  I do like a challenge, which is just as well!!

With winter well underway, it’s always lovely to get out and visit an exhibition or two.  Both of those we visited this month were on the verge of closing, for which I can only apologise as now you won’t get the chance to see them! :^((  The first was calledTheFirst Cut and was on at the Manchester City Gallery and Platt Hall Museum of Costume.  Artists were from America, Australia, Denmark, France, Germany, Italy, Japan, Sweden, Taiwan and the UK and all working with paper in unique ways.  It was a fascinating insight into the many different and varied ways of working with paper, and the exhibition was based around five thematic concepts: i) Imaginary Worlds, ii) Drawing with a Knife, iii) Mapping New Territories, iv) Papering the Body and v) Off the Page.

My favourite works seemed to congregate mostly in the Off the Page category which features works derived from books, whether cut, deformed, twisted together or shredded publications.  An artist I love who wasn’t in this exhibition is Guy Laramee, and his geologically inspired work just blows me away!  In the same mould, Noriko Ambe’s work  is based on topology and contour cuts which are absolutely magical and in a much smaller scale than I had imagined from seeing her work online.  She also applies the same techniques by cutting into artists’ monographs and using her knowledge and understanding of their work to create strangely disturbing work reminiscent of the technique of reverse applique.

In the Mapping New Territories section, my attention was drawn to Georgia Russell’s cut map of England where she removed the shape of the UK from a page of an atlas only to discover that on the reverse was a map of Iraq.  So what?  Well, some could say she was prescient as just 3 weeks later, Iraq was invaded by coalition Western forces.

Papering the Body was located in the Platt Hall Gallery of Costume, about 1 1/2 miles away from the Art Gallery.  Susan Cutts made a gorgeous ballet dress and pumps which were shown against a window on the half-landing of the C18th stairs while Violese Lunn’s delicate and ethereal dresses revealed the traces of a spine or organs against the light.  These garments looked so delicious that you could imagine wearing them and becoming a fairy princess!  The only problem was that they were all unwearable!! Still, one can dream….

In the cut work, I loved Andrew Singleton’s work inspired by the Eagle Nebula which hung suspended against two walls in a corner of the main exhibition hall.  The shadows were exquisite and the swirling patterns had an energy which threatened to burst out from their corner position.  Negative space is just as important as positive space in cut pieces and all the exhibits in this section were entrancing and engaging at all their different scales.

There was so much to see and absorb in this exhibition.  My companion was back for a return visit whilst I only had the opportunity to see the work just once, but the catalogue helps to remind me of each of the artists’ contributions.  Photography was allowed but unfortunately, I didn’t have my camera with me as this usually isn’t the case.  You can, however, get the catalogue for a reasonably-priced £12.99 from the Manchester Art Gallery.

The second exhibition, again just as it was about to close, was Light, in Derby’s Quad.  The poster had an image of a close-up of the sun broiling its atmosphere, so I just had to go and see what it was all about.  In fact, the video, Brilliant Noise, by Semiconductor, was a black-and-white rendition of various shots of the sun’s activity.  It lasted for just over 9 mins and was so mesmerising I had to watch it again.  I found it firing off all sorts of ideas related to my current work on geology and the natural world, and had to scribble down thoughts whilst sitting in the darkness!

Another piece called RINK – a skating drawing floor, by David Ward, was a long piece of over 21 minutes.  It was a projected cyle of light drawings and was fascinating to watch illuminated lines taking themselves for a walk!  I stayed in the exhibit for around 10 minutes, but I would have liked to have stayed for the full 21.  I wonder if anyone did?

One static exhibit, of 3 silver gelatine prints by Tristan Hessing, was just exquisite.  Small linear prints like a topographical rendering of a scanning microscope on a piece of stone, silver etched against the black background, almost engulfed by the surrounding darkness of the black, they almost hovered above the surface of the paper.  I was half-expecting them to do the 3-dimensional 360 degree turn!  Being small images against the much larger black background, they drew you in really closely, so that you found yourself almost nose-to-glass to trace their delicate lines.

The MA is encouraging me to see more exhibitions, read so much more widely than ever before (and I’ve never been a narrow reader!), and to think about things in a much deeper and considered way.  It’s certainly expanded my world!

But now it’s back down to weaving – a lot to do and an ever-decreasing time in which to do it!!

Happy Weaving!